The image of a copperplate on the cover of Laugier's Essays, depicting a primitive hut, is likely unfamiliar to many. Four tree trunks, with a roof structure of branches between them - a pre-construction that speaks not only of the idealized beginnings of building but also of the importance of harmony between humans and nature. In our region, there exists a unique monument to such primitive architecture - the hayrack. "The hayrack is a culture that defines the landscape of Slovenia the most; over time, it has become part of this landscape, like trees and fields, as if it had always been there." Stele, 1955. People recognize the invaluable heritage in hayracks, but regardless, it has lost its true role forever. Perhaps the time has come to transfer the idea of the hayrack, about the primal harmony between humans and nature and the quality use of wood, to other products. Let's start with a chair. The chair consistently references the construction of the "toplar," made of wooden sticks that are interconnected by notching and mortising as in hayracks. The "rafters" and "beam" provide shelter for the chair, with additional rigidity provided by a seat made of acrylic glass, allowing an unobstructed view of the magnificent construction of the chair. Just as the year of construction is engraved on hayracks, the year of manufacture is also marked on the chair. The ends of three metal crossbars are painted in the color of the year chosen by the Pantone Institute. As a tribute to the Kočevje Forest, spruce wood is used, while smoked oak is used for the darker version. Oak is, after all, the most common construction material for hayracks.