The author very poetically and originally referred to her proposal as a "tribute to the mysterious interweaving, the eyes-hidden threads, without which there would be no forests, trees, or wood – the fungi and their hyphae. They represent the genesis and birth as they accelerate the decomposition of organic compounds in the soil into compounds that trees need for their growth, and in the form of mycorrhiza, their indispensable collaboration with tree roots. Mostly invisible to our eyes, their fruiting bodies appear in warm humid weather in the form of fleshy mushrooms."

The "Forest Fruit" chair combines the strength of wood with a gracefully delicate form inspired by the magical world of fungi always present in the forest. Among all the contributions, this proposal stands out as one of the few that emphasizes the aesthetic or beauty aspect of the product. The manufacturing method is well-known, especially from Scandinavian carpentry production. This is a technique that was once used in our country to make so-called "colonial" chairs. The legs of the chair and the rods composing the backrest are inserted into a relatively thick seat surface. The elegant "Forest Fruit" design is evidently inspired by the slender fungal hyphae, as well as the slim trunks of the bracket fungus. The simple elegance of the chair was decisive in awarding the prize.